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| Rode NT1A Studio Condensor Microphone- DEMO- REBOXED AND TESTED!! |
List Price: $399.00
Our Price: $229.00
Sale Price: $179.99
You Save $219.01!   |
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Up until the late 80's, high-quality condenser mics were only offered by boutique manufacturers at boutique prices. None but the biggest corporate recording studios cold afford them. Around the same time, many bands were abandoning the "big-studio" model and adopting DIY production ideals made popular by the hardcore punk scene. More musicians recorded and released their own music, and Rode recognized new demand.  |
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| Audio-Technica AT2020 USB Microphone |
| Our Price: $149.99 |
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The AT2020 USB brings the sound, quality, and affordability of the AT2020 to the desktop for direct-to-computer simplicity. This black beauty is perfect for any recording situation where ease of use is a must, but quality is essential. From podcasting to tracking your masterpiece the AT2020 USB provides reliable and accurate pickup. Like its predecessor, this digital mic/recording interface is built to AT's exacting standards, ensuring the best sound available at an amazing price. The AT2020 led the charge of affordable condensers, and the AT2020 USB continues that legacy. |
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| DBX 266XL Dual Compressor Gate |
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Most compressor/gates provide less than musical compression, coupled with gating that swallows transients-or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. |
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| Digidesign 192 DIGITAL Digital Pro Tools TDM/HD Interface |
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192 Digital I/O is a high-definition audio interface specifically designed to facilitate digital input from a variety of sources into the Pro Tools|HD environment. An alternative to the 192 and 96 I/Os, 192 Digital I/O features a wide range of digital I/O options, including up to 16 channels of AES/EBU, TDIF, and ADAT I/O, along with S/PDIF I/O. |
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