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Midas Pro 6 Digital console

SKU:

PRO6

Brand:

Midas

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Product Description

The Midas PRO6 Live Audio System is the second networked digital audio system from Midas. Employing technologies developed from the class-leading XL8, the PRO6 offers the same exemplary sample - synchronised audio performance in a compact package.

Although the PRO6 standard system comprises a Control Centre with a footprint similar to that of a 32 channel Verona and only two 7U 19” rack units, it’s diminutive size belies its ability to provide up to 80 simultaneous input processing channels and up to 32 (+3) discrete mixes in monitor mode, all of which feature EQ and a choice of many dynamics processing options. By adding additional I/O hardware the PRO6’s network can be expanded up to 264 inputs and 264 outputs. These connections can be patched and routed on a scene-by-scene basis, by use of the PRO6’s powerful snapshot automation.

Dual “Daylight Visible” Screens with 3-way KVM switch

XL8-Style “Fast Zones”

XL8-Style Dual Operator “Channel Strips”

10 VCAs

6 POPulation Groups

Configurable “Area B”

16 Input Faders

Up to 80 simultaneous mix channels

16 Group/Aux & 16 Matrix - 32 Mixes in “monitor” mode

Surround panning including LCRS, Quad and 5.1

Dual-Redundant Linux Control Computers

Dual-Redundant HyperMac (192x192) digital snake included

8 Fully-assignable FX engines – with new FX options

Up to 36 KT Graphic EQs - with optional DN9331 Rapide control

3 AES50 Ports on the Control Centre for I/O expansion and XL8 connectivity

24 Configurable inputs on the Control Centre *

24 Configurable outputs on the Control Centre *

Three year factory warranty

Weight and Dimensions
Control Centre - 1365mm x 924mm
Weight - 95Kg / 209.4lbs **
DL371 - 7U, 22Kgs / 48.5lbs **
DL351 - 7U, 27Kgs / 59.5lbs **

The Control Centre is a typical robust Midas steel frame, which employs engineering principles similar to those used for established analogue products. The frame is fitted with three integral power supplies, only two of which are required for full operation. The power supplies are auto-voltage sensing, auto-switchover, fitted with locking AC connectors, are hot-swappable and are interchangeable with the PSUs used in the DSP engine.

Also integral to the Control Centre are dual-redundant GUI and master control processors, and a high-speed network router. The rear of the control surface has dual-redundant HyperMAC ports (Cat-5e and Optical) and four AES50 connections, one of which is terminated internally to the configurable I/O on the rear of the console. This is the same format as the I/O which is located in the stage rack, which means that the connector panels are interchangeable between these two locations.

Current options are any three of the following four options:

8 analogue inputs (XLR)
8 analogue outputs(XLR)
4 AES/EBU inputs and 4 AES/EBU outputs(XLR)
8 analogue inputs and 8 analogue outputs(balance 1/4”TRS jacks)

The left-hand side of the surface consists of a 12-channel “fast zone”, where an operator will find the “must have now” controls, a detail panel which is the interface with all of a selected channels control parameters and a display screen. The PRO6 has a second 4-channel “fast zone”, located on the far right-hand, which allows for easy access for dual operators, or the ability to “stick” high-priority channels onto the surface for instant access.

The centre section of the surface features the aux mix masters, VCA faders, POP group select buttons, mix group select buttons, second detail panel and daylight-viewable TFT display screen. Also, the main (matrix) mix masters, automation control, dual trackball control panel, communications panel, monitoring control and the second daylight-viewable TFT display screen. A 3-way KVM (keyboard, video and mouse) switch is incorporated into this area to enable an operator to view and control external computers from the control surface.